I was so excited to grab this review from those available that I decided to reach out for a chat to Lorenza too. The result is this most interesting interview covering some great stuff, alongside my review of the new single “Take Me Home.”
First, some background press pack information:
With multi-genre single releases, Wildcard is proving to be not just talented but also a hard-working artist who is fearless, keen and capable of regenerating, evolving and venturing into various music genres. Over the years, Wildcard has become a defining figure in pop, rock and punk, known for her fearless attitude both on and off stage and bold fashion choices. Uninterested in genre labeling, conforming, or complying, and keen to let her artistry lead the way, her music encompasses everything from pop, dance, Americana, and rock with blues influences to alternative rock with a rock reminiscent, while maintaining her distinctive voice and her unique vocal style.
With a gritty but versatile timbre, her signature vocals play with expressive cadences, prioritizing the deliverance of a message by using passionate and heartfelt climaxes over showcasing power, nuance or vocal embellishments.
Which takes us to…the interview!
I’m starting with the cover photo for the single “My ”Worth”—you presented this almost punk image there that also reminded me for some reason of Cyndi Lauper. Also, looking at your publicity pictures, you go from really glamorous to some punk glam! Are you a punk at heart?
Lorenza: Let’s just say I’m punk enough to ignore some rules and glam enough to do it in heels. I’ve never been good at sticking to one look—or one sound, for that matter. I like to feel free: free to dress up, experiment, and learn from my failings. I’m not trying to fit into a scene; I’m just trying to show up as myself. Sometimes that means smoky eyes and glitter, sometimes it’s chipped nails and a scowl. Either way, it’s all me—just different angles.
And you are a wildcard, unpredictable! Does this mean in a pack of cards you would want to be represented as the joker? (I see you more as Queen of spades perhaps?!)
Lorenza: Not the Joker, no—I’m not out here causing chaos for the sake of it. And I’m definitely not a Queen waiting on a throne. A wildcard is what you make it. In cards, it can be any suit, any value—total freedom. In sport, it’s a way in when you’re not ranked or expected to qualify… but you get a chance, and you seize the moment. That’s what I’m about. Moving forward, evolving, taking chances—even when you don’t know where they’ll lead. I’d rather keep shifting than stay stuck playing one role forever.
The new single has a really powerful edge to it and a great production and drum beat that kicks in and drives it. Can you tell me something about how this one came about and your feelings about how it fits into your catalogue?
Lorenza: “Take Me Home” is my new single and it’s out on June 26. It started from a quiet place—the kind of feeling you don’t shout about, but it builds up inside you. That’s what I wanted the song to do: start soft, let it ache a little, then hit hard when it’s ready. It’s a haunting rock ballad that grows from vulnerability to emotional power. There’s this sense of longing and quiet strength in it, and the vocal follows that arc—it builds, then lets go. Musically, it’s got this cinematic, emotional pull—spacious guitars, steady drums, and a bass line that kind of carries you through. I love how it grows. There’s power in it, but also vulnerability.
Another little observation that I may be so wrong about is that in tracks such as “Madhouse” and that cover picture of “My Worth,” there is a hint of Alice in Wonderland (Mad Hatter, alice etc- Cheshire Cat “We’re all mad here,” etc.). We also love that imagery at the magazine, as in our Alice the Red Queen as one of our merchandising icons. Alice celebrates madness—do you?
Lorenza: You’re not wrong—there’s definitely some playful chaos in “Madhouse,” and yeah, a nod to the Mad Hatter’s tea table. But the real point of that song is flipping the narrative: who’s really mad? The people who get judged for being different… or the ones doing the judging? I wanted to show that sometimes the so-called “mad” ones are just freer. The outdoor living room in the cover—glam dress, guitar, fruit on the cake stand, a tiger-onesie skater gliding by—it’s weird, but joyful. It’s about celebrating non-conformity and not complying with what’s expected. “Fallen from My Tree” also plays with that surreal, otherworldly vibe—but in a more grown-up way. It’s about falling from grace while everyone watches and fake-cries over your downfall, only for you to discover something more meaningful and purpose-filled in the place you land. But “My Worth?” That’s not Wonderland. That’s fire. That’s me calling out bigotry and misogyny—no fantasy filter. I’m saying, “I’m not your pretty trophy doll.” And while the imagery shows me dressed like one, surrounded by toys, I’m clearly rising up from it all—with grit, defiance, and attitude. So, do I celebrate madness? I celebrate freedom. And if madness means being unapologetically yourself in a world that wants you smaller—then yeah, pour the tea.
You are building up a back-line of singles, are you building up toward an EP perhaps at some point, or are the foundation stones musically going to be singles for a while?
Lorenza: Right now, I’m focusing on singles—partly because it’s expensive to record a full album in one go, and releasing a couple of tracks at a time is just more realistic for an independent artist. But also, the industry tends to favor consistency and frequency—especially with platforms like Spotify, where the algorithm rewards regular releases. On a creative level, I like to evolve. When a track feels ready, I don’t want to sit on it—I want to let it out into the world. It’s like a creation that wants to breathe on its own. So for now, singles make the most sense. As for an EP or album… I’ll drop the Easter eggs along the way…keep that basket handy.
If a reader of this piece doesn’t know your work well and you were recommending one song of yours that they should start with, which song would you suggest and why?
Lorenza: That’s a tough one because my songs are all pretty different. But if I had to pick, I’d say start with Madhouse, Fallen from My Tree, My Worth, Wasting My Time and My Army—and as a bonus track (or B-side), Tequila (All I Wanna Do Is Dance). Six tracks that show different sides of me. Enjoy! 😉
Do you work with a regular group of musicians in the studio and live, or do you hire session musicians as and when needed?
Lorenza: I’m a solo singer-songwriter and write my own lyrics and melodies. I work with a core group of regular, talented musicians who rotate in and out for live shows and studio sessions. It keeps things fresh but tight.
Plans for the rest of 2025 that you can share with us?
Lorenza: I’ve just launched a sunglasses range in collaboration with K+M Bespoke, and my new single “Take Me Home” drops on June 26. Exciting gigs are lined up at world-renowned venues, plus some festivals too. I’ll be back in the studio this summer, so expect more new music soon. Keep an eye on www.lorenzawildcard.com and my social media platforms (I’m literally on all of them)—watch this space! 😉
Last question: What was the best gig you played and what are your memories of it?
Lorenza: Tough call! I’ve played at venues where legends like U2, Blur, Coldplay, Elvis Costello, Arctic Monkeys, Kate Bush, The Killers, and Florence + The Machine have rocked the stage—places like the Famous Dublin Castle, the Half Moon, Fiddler’s Elbow, the Troubadour and the Bedford. Those have been incredible nights! Still, some of my warmest memories come from gigs where the crowd really connected with me—like a wild night at The SixSix in Cambridge or the buzz in the tent at Strawberry Fair. Every show has its own kind of magic.
And with a big thanks to Lorenza for that talk, we move swiftly to the review for the new single, “Take Me Home.”
“Take Me Home” is a power rock ballad with a big heartbeat and haunting vocal delivery. The synergy of the piece comes from really tight musicianship that connects so well with the vocals of Lorenza and this emotionally packed single that breaks into this vocal and drum moment that had me thinking, “nailed it.” It opens with the acoustic guitar and a vocal lament.
“Everybody Wants You, Nobody’s Buying…”
By the end, you’re not sure if you’ve just heard a breakup anthem, a call to arms, or both—but one thing’s clear: Lorenza Wildcard has arrived, and she’s not whispering.
And we hope you liked the feature, dear reader! If you did, please check out the other pages of the magazine; we have many great features, merchandise pages, shops, editorials and even a poetry page. Content is free here, but we work hard for you, and to support the magazine, please show your appreciation on the support button below and buy me a coffee!
You can stream music from Lorenza here.
By Tracy Nash
- a brief word about me! I am a new name here at Rock the Joint Magazine. I am a student taking journalism at University and I am doing an intern role here at the magazine over the Summer 2025 before starting properly at university. A thank you to Mark and Benny for giving me a chance to write full pieces and I look forward to doing some more up until September.
- and Mark C. Chambers.
